OPTIONS¶
-a
Adobe Audition (CoolEdit) mode for 32-bit floats
-bn
enable hybrid compression, n = 2.0 to 23.9
  bits/sample, or n = 24-9600 kbits/second (kbps)
--blocksize=n
specify block size in samples (max = 131072 and min = 16
  with --merge-blocks, otherwise 128)
-c
create correction file (.wvc) for hybrid mode (results in
  2-file lossless compression)
-cc
maximum hybrid compression (hurts lossy quality &
  decode speed)
--channel-order=list
specify (comma separated) channel order if not Microsoft
  standard (which is
  FL,FR,FC,LFE,BL,BR,LC,FRC,BC,SL,SR,TC,TFL,TFC,TFR,TBL,TBC,TBR); specify
  “...” to indicate that channels are not assigned to specific
  speakers, or terminate list with “...” to indicate that any
  channels beyond those specified are unassigned
-d
delete source file if successful (use with
  caution!)
-f
fast mode (fast, but some compromise in compression
  ratio)
-h
high quality (better compression ratio, but slower encode
  and decode than default mode)
-hh
very high quality (best compression, but slowest and NOT
  recommended for use on portable playback devices)
--help
display extended help
-i
ignore length in wav header (no pipe output
  allowed)
-jn
joint-stereo override (0 = left/right, 1 =
  mid/side)
-m
compute & store MD5 signature of raw audio data
--merge-blocks
merge consecutive blocks with equal redundancy (used with
  --blocksize option and is useful for files generated by the lossyWAV
  program or decoded HDCD files)
-n
calculate average and peak quantization noise (hybrid
  only, reference fullscale sine)
--no-utf8-convert
don´t recode passed tags from local encoding to
  UTF-8, assume they are in UTF-8 already
-o OUTFILE
specify output filename (only if single source file) or
  target directory (must exist)
--optimize-mono
optimization for stereo files that are really mono
  (result may be incompatible with very old decoders)
--pair-unassigned-chans
encode unassigned channels into stereo pairs
-p
practical float storage (also 32-bit ints, not
  lossless)
-q
quiet (keep console output to a minimum)
-r
generate a new RIFF WAV header (any extra RIFF info in
  original file will be discarded)
--raw-pcm
intput data is raw pcm (44,100 Hz, 16-bit,
  2-channels)
--raw-pcm=sr,bits,chans
intput data is raw pcm with specified sample-rate,
  bit-depth, and number of channels (specify 32f for 32-bit floating point
  data)
-sn
override default hybrid mode noise shaping where n is a
  float value between -1.0 and 1.0; negative values move noise lower in freq,
  positive values move noise higher in freq, use 0 for no shaping (white
  noise)
-t
copy input file´s time stamp to output
  file(s)
--use-dns
force use of dynamic noise shaping (hybrid mode
  only)
-w “Field=Value”
write specified text metadata to APEv2 tag
-w “Field=@file.ext”
write specified text metadata from file to APEv2 tag,
  normally used for embedded cuesheets and logs (field names
  “Cuesheet” and “Log”)
--write-binary-tag
    “Field=@file.ext”
write the specified binary metadata file to APEv2 tag,
  normally used for cover art with the specified field name “Cover Art
  (Front)”
-x[n]
extra encode processing (optional n = 1 to 6, 1=default),
  -x1 to -x3 to choose best of predefined filters, -x4 to -x6 to generate custom
  filters (very slow!)
-y
yes to all warnings (use with caution!)